A whopping 21 years after his last full album of new material, Peter Gabriel has finally given a definitive release date of December 1st, 2023 to his upcoming album I/O. The upcoming release has already drawn comparisons to Guns N’ Roses’ Chinese Democracy, given it’s lengthy gestation period. Gabriel’s last album of new material was 2002’s Up.

Although the release date is more than a month away, fans have already been able to listen to 10 of the album’s 12 tracks. Gabriel started unveiling new songs in January, coinciding with each full moon of the year.

Streaming services are not the only method of hearing the new material, however. Peter Gabriel is about to wrap up the 2023 leg of his I/O Tour, where most of the new material has made its live debut.

According to Gabriel’s album page Bandcamp:

More than 20 years in the making, I/o is Peter Gabriel’s first album of new material since 2002’s Up.

Whispers and rumours have speculated about its musical direction, about its songs, and about what they have to say. Not that there haven’t been tastes of what’s in store over the past few months. Since January 2023, Peter has been releasing a new song from the album on the occasion of every full moon. Being revealed roughly every four weeks, each track has been allowed to find its own time and space, to enjoy its own orbit. “It’s a little like getting a Lego piece each month,” Peter explains. Now it’s time to stand back and admire the final, completed creation.

And what a creation – 12 tracks of grace, gravity and great beauty that provide welcome confirmation of not only Peter’s ongoing ability to write stop-you-in-your-tracks songs but also of that thrilling voice, still perfectly, delightfully intact. Throughout the album the intelligent and thoughtful – often thought-provoking – songs tackle life and the universe. Our connection to the world around us – ‘I’m just a part of everything’ Peter sings on title track i/o – is a recurring motif, but so too the passing of time, mortality and grief, alongside such themes as injustice, surveillance and the roots of terrorism. But this is not a solemn record. While reflective, the mood is never despondent; i/o is musically adventurous, often joyous and ultimately full of hope, topped off as it is, by the rousingly optimistic closing song, Live and Let Live. 

Peter also always looks towards pushing the boundaries that most artists are reluctant to nudge. i/o is not simply a collection of a dozen songs. All 12 tracks are subject to two stereo mixes: the Bright-Side Mix, handled by Mark ‘Spike’ Stent, and the Dark-Side Mix, as reshaped by Tchad Blake. “We have two of the greatest mixers in the world in Tchad and Spike and they definitely bring different characters to the songs. Tchad is very much a sculptor building a journey with sound and drama, Spike loves sound and assembling these pictures, so he’s more of a painter.” Both versions are included on the double-CD package, and are also available separately as double vinyl albums. And that’s not all. A third version – the In-Side Mix, in Dolby Atmos, comes courtesy of Hans-Martin Buff “doing a wonderful job generating these much more three-dimensional mixes” and is included in three-disc set, including Blu-ray.

The lengthy gestation of i/o means it has a sizeable cast list. Peter has kept his trusty inner circle of musicians close to hand, which means guitarist David Rhodes, bassist Tony Levin and drummer Manu Katché are sterling presences throughout. Several songs bear the fingerprints of long-time associate Brian Eno, whilst there are notable contributions from the likes of Richard Russell, pianist Tom Cawley, trumpeters Josh Shpak and Paolo Fresu, cellist Linnea Olsson and keyboard player Don E. Peter’s daughter Melanie contributes warm backing vocals, as does Ríoghnach Connolly of The Breath, while Real World regulars Richard Chappell, Oli Jacobs, Katie May and Richard Evans collectively provide programming and play various instruments. Soweto Gospel Choir and Swedish all-male choir Oprhei Drängar lend their magnificent harmonies to a selection of tracks, and the mass strings of the New Blood Orchestra, led by John Metcalfe, both soothe and soar.

Peter invited a range of visual artists to contribute a piece of art to accompany each track on both the US and UP albums, the idea being that the work would be inspired by, or would act as a reaction to, the song that had been allotted. This idea has been revisited with i/o, with each of the 12 songs being handed to a world-renowned artist to create or provide an accompanying work, whether paint, photography, sculpture or even Plasticine. 

The dozen artists make an exceedingly impressive team of collaborators: Ai Weiwei, Nick Cave, Olafur Eliasson, Henry Hudson, Annette Messager, Antony Micallef, David Moreno, Cornelia Parker, Megan Rooney, Tim Shaw, David Spriggs and Barthélémy Toguo. Having handpicked the artists, Peter recognises that “They have the same obsessive attention to their visual work that we musicians have in sound.”

There’s another visual link with Peter’s past work. The cover shot, taken by photographer Nadav Kander, echoes with the covers of his earlier albums, always present but, with the exception of So, intriguingly obscured or manipulated. 

These echoes of the past might resonate, but i/o is fundamentally an album of – and for – the here and now. Many of its themes may be timeless, but they’re also warnings that we’re living on borrowed time, both as a planet and as individuals. As Peter sings on the divine So Much, “this edition is limited”.  

releases December 1, 2023